Mixed Up North, Wilton’s Music Hall, London

THE 2001 race riots that scorched the old Lancashire mill town of ...

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DANCE: Quantum Leaps, Birmingham Royal Ballet, Sadler's Wells

BRB DIRECTOR David Bintley ventures away from his comfort zone wit...

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Duke Bluebeard's Castle/The Rite of Spring

WARNING:the following review may be unsuitable for readers of a ne...

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Thomas Arne's Artaxerxes: Linbury Studio Theatre

WITH THE exception of the great patriotic hymn Rule Britannia, wri...

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Agon, Sphinx, Limen: The Royal Opera House, London

WAYNE McGregor is to dance what Heston Blumenthal is to food. ...

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Janacek’s Jenufa: Glyndebourne

BROUGHT up on an operatic diet of Mozart and Verdi, I used to thin...

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Pantomime Guide: Tis the season to boo and hiss (oh yes it is…)

SHOUTS of “He’s behind you!”, mass hissing at villains and gales o...

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The Sleeping Beauty: Royal Ballet

WHAT a maddening ballet of two halves we got last Tuesday. ...

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Mark Shenton's theatre round-up

THE public are used to choosing the stars of West End musicals. ...

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Clare Colvin's opera round-up

HALLOWE'EN is an apt season for Britten’s creepy masterpieceThe Tu...

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Pains Of Youth: National Theatre, London

A DARK moral plague infected Europe in the years after the First W...

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The Sleeping Beauty: Royal Ballet

THE Sleeping Beauty is the grandest of all the grand narrative bal...

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Mixed Programme - Mark Morris Dance Group: Sadler's Wells

MORE than any other choreographer, Mark Morris liberated dance fro...

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